Dealing With Executive Dysfunction - A Masterpost

We Are The Ocean

Ursala Hudson (Tlingit/Filipino/German)

collar: merino wool, silk, steel cones, leather. ravenstail patterns, crochet, basketry twining technique. Woman as a Wave shawl: merino wool, silk, cedar bark. chilkat and ravenstail patterns, crochet, basketry twining technique. Tidal apron: merino wool, silk, leather, steel cones. chilkat and ravenstail patterns.

“We Are the Ocean is an ensemble comprised of a collar, apron (entitled Tidal), and shawl (entitled Woman as a Wave). The collar and bottom edge of the shawl are twined using a basketry technique to bring delicacy to the regalia, made specifically to emphasize the wearer’s feminine essence. In place of the sea otter fur that traditionally lines the top of Chilkat and Ravenstail weavings, the merino weft yarns were used to crochet the collar and shawl’s neck lines, bringing forward and incorporating a European craft practiced by both my maternal (Tlingit/Filipino) and paternal (German) grandmothers. The high neck of the collar gives tribute to the Western aesthetics that have forever influenced the Indigenous cultures of our lands; with grace, we embrace that which cannot be undone, and use our new form to be better. The apron’s pattern was studied and graphed from an old Tlingit cedar bark basket, and represents the tides of our lives, as our lessons continue to arise in a revolving cycle, yet made of new debris. The repetitive pattern of the shawl represents the infinite connectedness of our sisters, mothers, aunties, and daughters. Blue lines break up inverted rows, representing the “past,” “present,” and “future,” acknowledging these concepts as irrelevant constructs that fall away when we commune with the Divine. The entire ensemble is worn to evoke the innate spirit of the Woman as an ethereal deity, that resides within us all.”

I normally don't repost stuff but OMFG

if anyone finds the op on douyin I'm grateful 🙏

The thing about Cottagecore is that is a fetishized aesthetic of country life, divorced from labor and idealized by a primarily urban audience with a backward looking ethos of tradition. They are not prepared for the stresses of a rural life: farming; harvesting; tapping pumpkins to ensure none of them have been replaced with flesh; losing out on income by having to use one of your pigs in a blood sacrifice to paint protective sigils over your doors and windows; checking cracks and chimneys for the flesh-vines of the Pumpkin Lord; having to decide, before the Growth is complete, whether that's really your tradwife or an amassment of vines, leaves, and blood in the shape of your tradwife; ignoring their desperate pleas that "I'm me! No! No!" as you burn them alive, realizing too late you picked wrong; and the exploitative corporate nature of commercial farming in 2024. All seen through a deeply colonial lens, of course

Imagine if you knew of a population of semi-wild hamsters that live communally near to where you live. They don't run for their lives and bolt into their nests for safety when they see you, they'll just kind of go "aw fuck there's that guy again" and just kind of lazily trot off - they know you're not really a predator, just an inconvenience. But some of them don't flee from you, they're a bit weird you guess, but those are your favourites. So every once in a while when you've got a task you really don't want to do alone, you can just walk up there, grab a hamster, pop it into your breast pocket and now you've got a little emotional support buddy for the day.

That's Gandalf's relationship with the hobbits.

Cold feet

MUPPETS!!!!!!!

Reblog if, no matter the size of the role, you would agree to work with the Muppets if offered the chance to do so, no questions asked

Repost from IG: resources via MALAN

So I just found the most useful photo album in existence for tumblr arguments

Yūsha Yoshihiko to Maō no Shiro (勇者ヨシヒコと魔王の城, lit. “The Hero Yoshihiko and the Demon King’s Castle”)