Punks-in-beerlight - Sweet, Sweet Nothing

punks-in-beerlight - Sweet, sweet nothing

More Posts from Punks-in-beerlight and Others

2 months ago
Source: Poeticalphotos
Source: Poeticalphotos

Source: poeticalphotos

1 month ago
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:
Academy Award Winners For Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord Of The Rings:

Academy Award Winners for Best Cinematography: 2002 — Andrew Lesnie, ACS, ASC The Lord of the Rings: The Fellowship of the Ring (2001) Directed by Peter Jackson Aspect Ratio: 2.39 : 1

Andrew Lesnie immersed himself in the project by rereading the books and going through hundreds of sketches and paintings created by Tolkien artists Ted Nasmith, Alan Lee and John Howe. “The art department was a constant source of inspiration for me,” Lesnie recalls. “In the main hallway was a huge mural that was a condensed visual interpretation of the narrative for the trilogy. It consisted of conceptual drawings, set designs, costume designs, location photos and so forth. It was a matter of throwing everything into one great big pot and letting it simmer.” A big pot it certainly was, for the three films entailed 274 days of principal photography encompassing 600 scenes, 350 sets and more than 4 million feet of exposed negative. “The Lord of the Rings trilogy deals with such a staggering number of issues and takes so many directions that it’s better to let the process operate subliminally. That way, your work starts springing out of a different place than you might normally anticipate.” While Lesnie and Jackson viewed other films for elements such as staging or stylistic treatment, both knew that the books were the obvious source of inspiration. As Lesnie declares, “Tolkien’s writing is exceptionally eloquent in its depiction of feeling and mood.” — American Cinematographer, December 2001

2 months ago

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2 months ago

be careful with what series you watch/read during emotional points in your life because they will forever contain a ghost of your past self within it now

2 months ago
— DERRY GIRLS 2.03 — FLEABAG 2.03
— DERRY GIRLS 2.03 — FLEABAG 2.03

— DERRY GIRLS 2.03 — FLEABAG 2.03

2 months ago
By Angielogar
By Angielogar
By Angielogar

by angielogar

2 months ago
FLEABAG (2016) Created By Phoebe Waller-Bridge
FLEABAG (2016) Created By Phoebe Waller-Bridge
FLEABAG (2016) Created By Phoebe Waller-Bridge
FLEABAG (2016) Created By Phoebe Waller-Bridge

FLEABAG (2016) Created by Phoebe Waller-Bridge

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punks-in-beerlight - Sweet, sweet nothing
Sweet, sweet nothing

The alleys are the footnotes of the avenues

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